b a n n e d p o e t r y
heresies, lamentations and other infidelities
Patrick White 1948~2014
I am offering Patrick's book, Azazel to you free of charge until Tuesday night. Enjoy. this offer is now concluded. enjoy other links to Patrick's work.
Patrick White 1948~2014
It is already 6 years since we lost our poet and friend, Patrick White. Patrick's birthday is September 15 and I want to offer you a heartfelt gift in his honour, from my storehouse. In 2013, before Patrick his cancer diagnosis, I published his book Azazel both in hard cover and soft. He was so thrilled with the hard covers, he said, his very first. At that point we were thinking we'd see a few more but it was within the next couple of months he heard that he only had a short time to live and finish his work.
I am offering the pdf version of his book AZAZEL at no cost. see the link on the upper right of home page. THIS FREE DOWNLOAD IS NOW OVER.. Please enjoy other links to Patrick's work.
As many could attest to, his final months were a feverish pursuit of life beyond life, as he worked tirelessly and with a wild archetypal energy, producing and posting new poems every day. Even then, I worked with him to gather together a manuscript that Ekstasis Editions published and launched just two weeks before he died. And amazingly, Patrick found the strength to not only attend but take command of the evening and give his fans an incredible farewell party.
We will continue to publish his work on Banned Poetry
PATRICK WHITE 2014
I CAN HEAR CRYING ALL OVER THE EARTH
I can hear crying all over the earth tonight,
sad children in the windows of their eyes longing for things
they dream of growing up to make come true,
fireflies in wishing wells the shadows drink from
on the moon where the spirit’s lost and found dwells
like a small glove shed like a skin of moonlight years ago
as we grew out of ourselves like shells of the dawn in the morning,
waiting for some flesh and blood human hand
to loop back like a habitable planet in its second innocence
and come and claim us like life on Mars again.
The return journey of the morning glory to unmapped islands
we set out to explore, each to our own star,
like the lifeboats of newly-hatched turtles running
from the cosmic eggshells of our abdicated crowns of creation,
toward the abysmal shore of our oceanic aspirations,
each of us enduring the transformative initiations
of our shapeshifting hearts on the thresholds
of the endless event horizons of the black holes and rainbows
that beguiled us with their joy and despair deeper
into the mirage of the music believing in this desert of stars
even here we could hear the mermaids singing,
and pluck pearls of enlightenment from the third eyes
of oysters open on the beach. Or the mouths of books
that had lost their place in the universe, left open
gaping in the sand at the incontrovertible signposts of the stars.
So many echoes from home you can’t help but lose track
of your soul sometimes along the way trying like the rain
to better the world like a green tree ring pinging
the heart wood of a petrified forest like a tuning fork
or a witching wand that might break into blossom yet
if only we don’t give up like grails and constellations
looking for the watersheds of the shining whether
they’re dragons that swallow the moon to bring the rain
or the bell weathers of irreversible delusions
that fill the abyss with the elixirs and love potions
of our intoxicating affair with our own laughter and tears.
Over the course of the intervening lightyears
the lost flightfeathers of many strange skies
under our wings, lonely prayers in the moonlit tents of the doves
growing like morning glory all over the childhoods
we abandoned like buckets beside the wells we fell into
like hourglasses of quicksand leaking out of ourselves,
like stars from the perfect bodies of contiguous time and space.
We’re exalted in the midst of our humiliations. We’re humbled
by the excess of our celebrations. We ghost dance against
the gathering thunderclouds of preeminent war
like a guild of sacred clowns and shepherd moons
on tour in protest against the bulwarks of gravitas
enslaving third world planets, and for a time, our hearts
feel like angry strawberries glowing in the starfields
as if Aldebaran had just blue-shifted toward the spiritual life
of the Pleiades, and were young again, the red flame
of the poppy in its blood that dreams of sustaining
and renewing life, even if it be just the tender green placard
of a leaf unfolding in the ashes of our urns, one
shy tendril of morning glory seeking the light
in the terrible stillness of an implacable abyss,
we are made young again, clear again, by the gusts
of a moody, blue muse of emotional hydrogen
flaring up in us like the inspiration for goblets and fountains
of cool white flowers hanging our bells and trumpets
like music growing all over the cedar hedges in the early morning.
Can you listen with your eyes? Can you see with your ears
how the ghosts of the stars walk the earth at night
in the flesh of flowers blooming like chicory along the roadside
in the blue irises of the eyes of September, or in gardens on the moon
left untended by the gentle rains of our imaginations
for more childhoods than there are watermarks in the heartwood
of the tears it took to get here like rootless trees
spreading across the earth like an unplanned pilgrimage
of exiled immigrants returning to the ancestral shrines
of their prophetic skulls burning like prodigal stars
in the spacious windows of our visionary homes?
Realizing at last, if nothing else from our insights into life,
the starmaps of the fireflies at the headwaters of our source
aren’t bounded by the hearthstones of our wandering hearts
where the vagrants lay their heads down at last
on the hard pillows of the moonrocks they brought back with them
to dream of breathing new life into the lost atmospheres
of their childhoods returning like the lyrics of the nightbirds
to a wheeling mobile hanging like a windfall of planets
and dancing apples from the rafters and boughs of the ceilings
that couldn’t keep the lid on the toy boxes of their bedrooms
or the hoods on the marvellous third eyes of the falcons
perched on the tree limbs of their telescopes in the corner
trying to see into the dark as far as the wingspan of their light will let them.
Redshift is still available for purchase at Ekstasis Editions.
REDSHIFT http://www.ekstasiseditions.com/recenthtml/redshift.htm
other link to Patrick's work:
Memorial to Patrick White 2014 Ygdrasil
(thanks to Klaus Gerkin)
http://users.synapse.net/kgerken/Y-1406.pdf
Canadian Poetry Review P.6
http://cprforpoetry.com/archive/cpr_5.pdf
https://www.poemhunter.com/patrick-white/
Review of Redshift by Michael Dennis
http://michaeldennispoet.blogspot.com/2014/05/redshift-patrick-white-ekstasis-editions.html
thanks to the good hearts of Andrea Freeman and Glenn Hodgins who flew in to Perth to interview Patrick when he was ill. There are several interviews and readings.
https://www.youtube.com/watch?v=gbLOUnrzdow&t=4s
https://www.youtube.com/watch?v=XXysT-BKll8
PATRICK WHITE is the former poet laureate of Ottawa. He has several books of poetry including Azazel (CDRIS press), Poems (Soft Press), God in the Rafters,(Borealis), Stations (Commoner’s Books), Homage to Victor Jara, (Steel Rail Press), Seventeen Odes, (Fiddlehead Books), Orpheus on Highbeam, (Anthos Books), Habitable Planets, New and Selected Poems, (Cormorant Books), and The Benjamin Chee Chee Elegies, (General Store Publishing). His work has been translated into five languages and appears in hundreds of national and international periodicals and anthologies, including the likes of Poetry (Chicago), Dalhousie Review, Texas Quarterly, the Fiddlehead, and Georgia Review, etc. Winner of the Archibald Lampman Award, Canadian Literature Award, Benny Nicholas Award for Creative Writing, he was also a runner-up for the Milton Acorn People’s Poet Award. Founding editor and publisher of Anthos, a Journal of the Arts, Anthos Books, and producer-host of Radio Anthos, a popular literary radio show. George Woodcock wrote of his Selected Poems in the Ottawa Citizen: He promises to be one our best and best respected poets. Sharon Drache, in the Kingston Whig Standard: He might well win the Nobel Prize one day in his own inimitable way. And Orbis, (London, England), has said of his work: His images are strong, lyrical, moving. He dares and achieves.